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The Courage to Be Disliked · 6 of 12
The Courage to Be Disliked
entrepreneurship HIGH

Inferiority, Superiority, and Why Life Is Not a Competition

The Courage to Be Disliked Ichiro Kishimi & Fumitake Koga
inferiority superiority-complex competition comrades power-struggle

Key Principle

Three things must be kept "clearly separate"; conflating them is "an utter misuse of the term" (Second Night). The (1) feeling of inferiority is healthy: a subjective value judgment ("the feeling that one has no worth, or that one is only worth so much") that arises only through comparison and serves as a "stimulant to normal, healthy striving and growth" (Second Night). The (2) inferiority complex is the pathology of using that feeling as an excuse — the logic "A is the situation, so B cannot be done." The (3) superiority complex is the "easier way out" for those who can neither strive nor tolerate the complex: a "fabricated feeling of superiority." Above all, the pursuit of superiority is not a race up a staircase but everyone "walking equally in the same flat place" toward their own ideal self — so competition is to be rejected, because it turns others into enemies rather than comrades.

Why This Matters

The competitive frame is self-defeating regardless of outcome: even a perpetual winner who has "placed himself in competition... will never have a moment's peace" (Second Night), because competition makes every person an enemy and the world "a perilous place overflowing with enemies." Dropping competition does not require winning — it makes others into comrades and causes interpersonal problems to "decrease dramatically." This is the bridge to all the book's later claims: value itself is socially constructed (a diamond is "nothing but a little stone"), so the problem of worth "in the end brings us back to interpersonal relationships again."

Good Examples

  • Height reframed (the feeling, rehabilitated): The philosopher's 155cm height "wasn't inferior" until compared; a friend reframed his small build as a gift for putting people at ease — "a transformation of values" (Second Night). The fact is fixed; the interpretation is free.
  • "My parents divorced, so I can't marry" (the complex): Treating childhood divorce as a causal trauma is exposed as apparent cause and effect — a fabricated link substituting for the missing "courage to change your lifestyle" (Second Night).
  • Name-dropping and brand allegiance (superiority complex): "Giving authority" by association, boasting of achievements — all signal that "the one who boasts does so only out of a feeling of inferiority" (Adler, Second Night).
  • Bragging about misfortune ("weakness is powerful"): Making oneself "special" through suffering "controls the other party," restricting their speech ("You don't understand how I feel"). "In our culture weakness can be quite strong and powerful... the strongest person... [is] the baby. The baby rules and cannot be dominated" (Adler, Second Night).
  • The diligent elder brother: The youth could "never win," so could not "celebrate other people's happiness" — shown to be rooted in the competition schema (their happiness = my defeat), not character (Second Night).

Counterpoints

  • "Competition fuels growth." Conceded partially: a rival can spur growth "if that rival was someone you could call a comrade" — but "in many cases, a competitor will not be your comrade" (Second Night). Healthy comparison is to one's own ideal self, not to others.
  • "Comparison is inescapable; the world judges me." The sense of being watched is a "self-generated fiction." The youth concedes: "Even if I were to go walking on my hands down the street, they'd take no notice" (Second Night). (The teen at the mirror, told by his grandmother: "You're the only one who's worried how you look.")
  • "Anger proves emotions are real, not chosen." Personal anger "is nothing but a tool for making others submit to you" (Second Night) and cools fast; only impersonal righteous indignation lasts. Anger is a communication tool that is never necessary — the alternative is "the power of language, and the language of logic." The cure is not to suppress it (suppression stays inside the struggle) but to see it as unnecessary.

Argumentative Sequence

  1. Rehabilitate the feeling. The feeling of inferiority is subjective interpretation, arises only from comparison, and is a healthy stimulant — "We cannot alter objective facts. But subjective interpretations can be altered as much as one likes" (Second Night).
  2. Isolate the complex. It becomes pathological only when used as an excuse ("A is so, therefore B is impossible") — an apparent cause-and-effect masking a refusal to change.
  3. Border with the superiority complex. When one can neither strive nor bear the complex, one fabricates superiority. The two complexes "border on each other" — both rest on intense underlying inferiority and leave one "living according to other people's value systems," including the subtlest form, bragging about misfortune.
  4. Reject competition. Reframe the universal pursuit of superiority spatially: not climbing past others but walking on flat ground toward one's ideal self. Competition converts everyone into enemies; dropping it converts them into comrades. The power-struggle → revenge escalation shows why winning is the wrong goal, and "admitting a mistake is not defeat."

Key Quotes

"The pursuit of superiority and the feeling of inferiority are not diseases, but stimulants to normal, healthy striving and growth." — Kishimi & Koga, (Second Night)

"We are not the same, but we are equal." — Kishimi & Koga, (Second Night)

"The one who boasts does so only out of a feeling of inferiority." — Kishimi & Koga, (Second Night)

"The moment one is convinced that 'I am right' in an interpersonal relationship, one has already stepped into a power struggle." — Kishimi & Koga, (Second Night)

"Admitting mistakes, conveying words of apology, and stepping down from power struggles—none of these things is defeat. The pursuit of superiority is not something that is carried out through competition with other people." — Kishimi & Koga, (Second Night)

Rules of Thumb

  • Before calling yourself inferior, ask: is this a fact, or my comparison to someone? Only interpretations can be changed.
  • Catch the "A, therefore B" sentence — that is the inferiority complex, not a real constraint. Swap "I can't" for "I don't want to" and look at what you're protecting.
  • Treat boasting, name-dropping, and "look how much I've suffered" as confessions of inferiority — your own and others'.
  • Compare yourself only to your own ideal self; you and others walk on the same flat ground at different distances and speeds.
  • When provoked, do not enter the power struggle — and do not merely "bear it," which keeps you in it. Separate being right from winning; if you're right, the matter is closed regardless of others' opinions.
  • "Difference" (age, knowledge, role) is not "superior vs. inferior." Treat a child like a human being.

Related References